Biography

Larry Poons (b. 1937, Tokyo) is a major figure in postwar American painting whose six-decade career has been defined by continual experimentation. Initially trained in music at the New England Conservatory, he turned to painting after encountering the work of Barnett Newman in 1959 and soon became part of New York’s vibrant avant-garde. His first solo exhibition was held at the Green Gallery in 1963. Poons first gained attention in the early 1960s with his “dot” paintings, composed of carefully arranged, floating ellipses organized through mathematical systems, aligning him with the Op Art movement and artists such as Frank Stella. By the late 1960s, he had shifted away from precise geometry and toward a more physical technique, pouring and splashing paint, and later overlaying it with additional materials to create highly textured, immersive surfaces.

 

Featured in landmark exhibitions such as The Responsive Eye at The Museum of Modern Art (1965) and New York Painting and Sculpture, 1940–1970 at the Metropolitan Museum of Art (1969), Poons remains celebrated for expanding the language of abstraction. His paintings are part of the collections of several major institutions, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, the Philadelphia Museum of Art, and the Tate in London.
Works
  • Larry Poons, Bye Corinthian, 2016
    Larry Poons
    Bye Corinthian, 2016
    acrylic on canvas
    67 1/2 x 131 in.
    68 x 132 in.
  • Larry Poons, Saint Travis, 2012
    Larry Poons
    Saint Travis, 2012
    Acrylic on canvas
    65 1/4 x 66 in. (165.7 x 167.6 cm)
Exhibitions